The contemplative researcher lives aloof from society, a silent and unseen example it would seem. How is he to share his refined sensitivities, his ascetic and indeed aesthetic findings in ways that reveal their hidden purpose?

The geniis of the margins

Our paintings are rather like sacrosanct texts of aesthetic quiescence and perceptive light and must not be hidden away by collectors. They need to appear together in numbers and in varied combinations in order to irradiate their optimal values. As a countervailing ploy, we infuse these works with jinxing forces ('the geniis of the margins') that progressively nudge to allay and enrich their conscientious wards through the active promotion of their public exposure.

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