Inadvertent naturalistic calligraphic tendencies of literati colour-field non-figuration whose outcomes exemplify not the expression of the individual or its cult but serve the collective documentation, curation and advancement of ascetic-arts knowledge.

Pound's portrait

Laubies' portrait [of Ezra Pound] only underscores what he told me personally (ca 1989) about visiting Pound at the facility for the criminally insane in the late 50's. He remarked that Pound – having been there for about ten years – was 'not at all affected by the environment. He got on well with a supervising official and all sorts of people were able to visit him.' He characterized Pound as 'a large, strong and virile man.' "He spoke French very well", Laubies remarked, and French was their language of communication. 'Pound was always curious about ancient cultures and always researching something new. Even in his late years he studied Egyptian hieroglyphs... In the end he grew tired of living and died in Venice...' In 1989 after staying in his 6th-floor walk up at 3 Rue des Beaux-arts, Paris, I met Laubies in Venice. We visited Pound’s grave in San Michele Cemetery on the island of San Giorgio Maggiore.


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