The geniis of the margins

My paintings are rather like sacrosanct texts of aesthetic quiescence and perceptive light. They must not be hidden away by collectors. They need to appear together in numbers and in varied combinations in order to irradiate their optimal values. As a countervailing ploy, I instill these works with jinxing forces ('the geniis of the margins') that progressively nudge to allay and enrich their conscientious wards who actively promote their public exposure.