This is not a theory, but a half-built mosaic of scattered, differentiated and remotely competing conceptualizations hardened from the start through a lack of persistent and disciplined effort to monitor the course of its own notionality—an appropriately labeled orphan abstraction bundled into being with accessory sets of unseen forms that consensually if dubiously intimate consciousness—a patently baffling critical appeal to the vital dilemma that confounds elucidation of an infixed schema arising from refusals to render overt her intentions in adopting the protocols that indicate, adequate, involve, and annex competitively vague and lubricious formulations like avidity, mentation, bridle and abate—a conspicuous hushing of underpinning clarity, set within the strewn often cluttered propositions that wrangle emblematically evasive chores - as within the discourse - to stimulate mesmeric theaters screened from a lucid if excessive affectation for scientific thought's most pervasive fallacy: an abstract arrangement deployed as to quell interstitial rumblings forming at the flanks of a scintillate drift towards the site of the unicorn's metaleptic pummelling—a theorematic blood-stained fetish entwined to the fine-spun light of a night bird's call down bamboo paths of dawn's resolve in stirring anonymity of unintentioned gesture stripped to the formlessness of its own infinitude. References
Balagopal, Roberta. 2009. Building the Mosaic: in search of Southeast Asian contemporary art writing and publications. In Biblioasia, Vol 5, Issue 1, April. Singapore: National Library Board: 28-33.
Blanchot, Maurice. 1990. "The thought from the outside." In Foucault/Blanchot, 1990.
